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                  <text>Our museum collection helps tell the story of the College, of its place in the city of Glasgow, and of Scottish medical history. Our collection also tells the story of the students, Fellows and Members who have shaped the College over the centuries. We have fascinating medical instruments and equipment used by some of the most famous people associated with the College, including Joseph Lister, David Livingstone and William Macewen. These sit alongside a varied and often gruesome collection of surgical and dental instruments which help to show the progression and innovation made in surgical procedures from the 18th century onwards.</text>
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                <text>This cast is believed to be a copy of the originals, produced in the 19th century. It was in the possession of Murdoch Cameron, Professor of Midwifery at the University of Glasgow. Cameron then gave the cast to John Cleland, Professor of Anatomy, whose collection is housed in the University’s Museum of Anatomy.&#13;
&#13;
This item is on loan to the College from the Hunterian Museum. </text>
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                  <text>From 2017 to 2019, the heritage team undertook a visualisation project funded by Museums Galleries Scotland known as "Visualising Medical Heritage". Through this project we created a variety of different digital heritage products, including animations, 3D digital models, and VR games. &#13;
Visualising medical heritage is something we continue to do today. These visualisation products tell the stories of groundbreaking work carried out by Fellows and Members throughout history, and how their work changed the practice of medicine and surgery for the better. </text>
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                <text>In 1834 the body of Scotland’s national bard, Robert Burns, was exhumed from his grave in Dumfries. The exhumation was supervised by local surgeon Archibald Blacklock, who had an interest in phrenology. A plaster cast was taken of the skull, and Blacklock noted that “nothing could exceed the high state of preservation in which we found the bones of the cranium, or offer a fairer opportunity of supplying what has so long been desiderated by Phrenologists - a correct model of our immortal Poet’s head”. George Combe, a leading phrenologist, examined the cast and published his analysis in Edinburgh in 1834.&#13;
&#13;
Three casts were made during the 1834 exhumation. This cast is believed to be a copy produced later in the 19th century. It was in the possession of Murdoch Cameron, Professor of Midwifery at the University of Glasgow. Cameron then gave the cast to John Cleland, Professor of Anatomy, whose collection is housed in the University’s Museum of Anatomy.&#13;
&#13;
This item is on loan from The Hunterian, University of Glasgow.</text>
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                <text>&lt;iframe width="640" height="480" title="A 3D model" src="https://sketchfab.com/models/f7e70a9eee414f33b98722448497d10d/embed" frameborder="0" allow="autoplay; fullscreen; vr" mozallowfullscreen="true" webkitallowfullscreen="true"&gt;&lt;/iframe&gt;&#13;
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                <text>&lt;a href="https://heritage.rcpsg.ac.uk/exhibitions" target="_blank"&gt;Great Minds: The Brain in Medicine, Surgery and Psychiatry&lt;/a&gt;&#13;
&lt;div&gt;&lt;a href="https://heritage.rcpsg.ac.uk/items/show/1368" target="_blank"&gt;Great Minds Exhibition Overview&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>Our museum collection helps tell the story of the College, of its place in the city of Glasgow, and of Scottish medical history. Our collection also tells the story of the students, Fellows and Members who have shaped the College over the centuries. We have fascinating medical instruments and equipment used by some of the most famous people associated with the College, including Joseph Lister, David Livingstone and William Macewen. These sit alongside a varied and often gruesome collection of surgical and dental instruments which help to show the progression and innovation made in surgical procedures from the 18th century onwards.</text>
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              <text>oil on canvas</text>
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                <text>John Moore was a surgeon first, later a physician, and also a man of letters.  He began his medical career with the North British Fusiliers and, after studying in London and Paris, spent much of his career working in Glasgow. &#13;
&#13;
Upon his retirement from medical practice in 1777, Moore moved to London and began publishing accounts of his travel experiences as well as several novels. It was during this time that he began a correspondence with the man now known as Scotland’s national poet, Robert Burns. Burns wrote a long, autobiographical letter to Moore in 1787, which has formed the basis of the most credible biographies of Burns.&#13;
&#13;
A statue of his son, Sir John Moore of Corunna, stands in George Square.&#13;
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                <text>James Barr (active 1860s–1892) ; Manner of Sir George Romney (Chrisite's 1989) / Sir Thomas Lawrence (Gibson, 1984)</text>
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